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The Russian Revolution is the collective term for a series of revolutions in Russia in 1917, which dismantled the Tsarist autocracy and led to the creation of the Russian SFSR.<br/><br/> The Emperor was forced to abdicate and the old regime was replaced by a provisional government during the first revolution of February 1917 (March in the Gregorian calendar; the older Julian calendar was in use in Russia at the time).<br/><br/> In the second revolution, during October, the Provisional Government was removed and replaced with a Bolshevik (Communist) government.
The story of Saint George and the Dragon appended to the hagiography of Saint George was Eastern in origin, brought back with the Crusaders and retold with the courtly appurtenances belonging to the genre of Romance. The earliest known depictions of the motif are from tenth- or eleventh-century Cappadocia and eleventh-century Georgia; previously, in the iconography of Eastern Orthodoxy, George had been depicted as a soldier since at least the seventh century. The earliest known surviving narrative of the dragon episode is an eleventh-century Georgian text.<br/><br/> The dragon motif was first combined with the already standardised Passio Georgii in Vincent of Beauvais' encyclopedic Speculum Historiale, and then Jacobus de Voragine's Golden Legend (ca 1260) guaranteed its popularity in the later Middle Ages as a literary and pictorial subject. The legend gradually became part of the Christian traditions relating to Saint George and was used in many festivals thereafter.
The story of Saint George and the Dragon appended to the hagiography of Saint George was Eastern in origin, brought back with the Crusaders and retold with the courtly appurtenances belonging to the genre of Romance. The earliest known depictions of the motif are from tenth- or eleventh-century Cappadocia and eleventh-century Georgia; previously, in the iconography of Eastern Orthodoxy, George had been depicted as a soldier since at least the seventh century. The earliest known surviving narrative of the dragon episode is an eleventh-century Georgian text.<br/><br/> The dragon motif was first combined with the already standardised Passio Georgii in Vincent of Beauvais' encyclopedic Speculum Historiale, and then Jacobus de Voragine's Golden Legend (ca 1260) guaranteed its popularity in the later Middle Ages as a literary and pictorial subject. The legend gradually became part of the Christian traditions relating to Saint George and was used in many festivals thereafter.
The story of Saint George and the Dragon appended to the hagiography of Saint George was Eastern in origin, brought back with the Crusaders and retold with the courtly appurtenances belonging to the genre of Romance. The earliest known depictions of the motif are from tenth- or eleventh-century Cappadocia and eleventh-century Georgia; previously, in the iconography of Eastern Orthodoxy, George had been depicted as a soldier since at least the seventh century. The earliest known surviving narrative of the dragon episode is an eleventh-century Georgian text.<br/><br/> The dragon motif was first combined with the already standardised Passio Georgii in Vincent of Beauvais' encyclopedic Speculum Historiale, and then Jacobus de Voragine's Golden Legend (ca 1260) guaranteed its popularity in the later Middle Ages as a literary and pictorial subject. The legend gradually became part of the Christian traditions relating to Saint George and was used in many festivals thereafter.
The story of Saint George and the Dragon appended to the hagiography of Saint George was Eastern in origin, brought back with the Crusaders and retold with the courtly appurtenances belonging to the genre of Romance. The earliest known depictions of the motif are from tenth- or eleventh-century Cappadocia and eleventh-century Georgia; previously, in the iconography of Eastern Orthodoxy, George had been depicted as a soldier since at least the seventh century. The earliest known surviving narrative of the dragon episode is an eleventh-century Georgian text.<br/><br/> The dragon motif was first combined with the already standardised Passio Georgii in Vincent of Beauvais' encyclopedic Speculum Historiale, and then Jacobus de Voragine's Golden Legend (ca 1260) guaranteed its popularity in the later Middle Ages as a literary and pictorial subject. The legend gradually became part of the Christian traditions relating to Saint George and was used in many festivals thereafter.